Celtic symbols, arts and culture
Celtic culture
Celtic Cross History and Origins
Sep 2nd
The Celtic cross is a cross whose four “arms” are intersected by a central, circular ring – a function of both structural form and symbolism. While the roots of the Celtic Cross are likely in Paganism with the ring symbolizing the sun and “renewal,” it has become a potent symbol of Christianity and Irish heritage. The roots of the Celtic Cross can be traced back to Prehistoric Europe where the “sun cross” – a circle with an “x” or cross shape scratched inside began to appear on cave drawings and burial sites. The image persisted through the Bronze and Iron ages evolving into the Celtic Cross. It’s likely that the “cross” symbolized North, South, East and West.
Irish folklore tells the story of how Saint Patrick combined the Christian Cross with the “sun” to emphasize the importance of the cross to the Pagan followers, giving birth to the Celtic Cross. Though there is likely little truth to the tale. Around the 7th Century, Irish monks in the Celtic regions of Ireland and Great Britian began to erect upright or “high” crosses, many incorporating the Celtic Cross’ characteristic ringed structure. Many of these crosses survive today in Cornwall, Wales and on the island of Iona along with many others in Ireland.
Early Celtic Crosses often bore zoomorphic, or animal imagery, carved in the stone due to the influence of the animal style common in the Iron age. Not surprising given that warrior-herdsmen were so dependent on wildlife for food and clothing. This influence died off after the Iron Age as art in Ireland and Britian moved into the “Insular Period.” Artists during the Insular Art period produced many Celtic Crosses throughout Ireland, Wales and Scotland in the Hiberno-Saxon style. The “Insular Art” movement takes its name from the Latin word “Insula” which means “island.” This applied to the Isles of Britian and Ireland, and spoke to the shared nature of the artwork between the two regions that were vastly different than what was being produced throughout the rest of Europe. The Celtic crosses of this time were ornate and often bore spiraling geometric patterns that likely symbolized man’s “twisting” journey through life.
Around the 15th century, interest in the Celtic Cross and its influence as an art form waned. In the mid-19th century, a Celtic Revivial began that resulted in increased display and use of Celtic crosses in Ireland. The Celtic cross became fashionable as a cemetary marker in Victorian Dublin around the 1860s. This revival continued to spread across the whole of Irland and beyond and the symbol began to take on importance as a symbol of Irish heritage in addition to its religious conotation.
Today, the Celtic cross is commonly used as a gravemarker, though this is a departure from both medieval and Celtic revival periods when the symbol was used mainly as a monument and had little association with grave markings. The imagery of the Celtic cross has expanded its influence even in modern times, often spotted in jewelry as an expression of Irish pride and Christianity. The symbol is also seen in everything from T-shirts to tattoos. The Northern Ireland national football team use the Celtic Cross imagery in their logo and branding. The symbol has had some unfortunate attention as well and was recently banned from display in Germany when a prohibited neo-Nazi party co-opted the image as a symbol of their movement.
Famous examples of Celtic Crosses that still stand today can be seen at the Cross of Kells, County Meath, Ireland; Ardboe Auld Cross, Ardboe, County Tyrone, Northern Ireland; the crosses at Monasterboice, County Louth, Ireland; and the Cross of the Scriptures, Clonmacnoise, Ireland.
Rob Mabry is a former Army journalist, screenwriter and technologist. He is owner of Balance Bikes 4 Kids, specializing in bikes and scooters to help your child learn to ride.
The Early Histories of the Ancient Celts (Part 1)
Aug 19th
Celtic describes a language group which over a period of time divided into two strains:
P-Celtic (Brythonic) spoken in Wales, Cornwall and Brittany.
Q-Celtic (Gaelic) spoken today in Ireland, Scotland and the Isle of Man.
The ancient Celts were communities of people sharing linguistic and cultural ties, who inhabited most of Northern Europe between 800 BC and 400 AD. The Iron Age Celtic communities spread from Ireland to the Eastern Europe at the peak of their expansion from 400 BC-300 BC.
Archeological map of distribution of the Celtic Hallstatt culture ca. 800 -400 BCE. The Hallstat culture 800 BC-250 BC named after a site at Hallstat in Austria, they ranged from the Paris Basin to the valley of Morava in Eastern Europe, and from the Alps to the North European plain. Early burials (800 BC- 600BC) show small cemeteries denoting small settlements, perhaps one family or a small group of related families. The graves show little wealth, a few graves with wagons and horse equipment, but most as warriors both male and female with their swords, a few personal ornaments and pots containing food.
Between 600 BC-450 BC aristocratic burials start to appear, associated with much larger residences with architecture inspired by the Greeks, and Mediterranean artefacts begin to appear in graves. The overall leader or chief being accompanied in a wooden chamber with the wagon and horse equipment, filled with imported items, bronze wine drinking vessels, silk, gold, amber, glass and coral. The individual ‘vassal’ chief with wagon filled with more locally made goods, and ‘sub-chiefs’ similar, but less elaborately furnished with totally locally produced items. This prestige system of burials was widespread from Burgundy to the settlements of the middle Rhine. This unstable system based solely of imports and exports, as its core, threw up warrior societies, whose wealth came from raiding the settled traders. Along with the growth in population among the tribes and political changes within the Mediterranean area, this caused collapse, and the Celtic migrations began around 400 BC.
The ‘La Tene’ culture, known for its elaborate artwork, coincided with the last 50 years of the Hallstat culture, and this culture was carried forward in migration. Warrior bands moved south and east towards the rich pickings of the peoples whom they had traded with. Rome was attacked in 369 BC and continued into Italy, Delphi being attacked in 279 BC, and eastward roving bands continued into Asia minor. Migrations due to population growth continued throughout the next few hundred years.
The migration attempt of the ‘Helvetii’ was halted during the eight year war with Caesar’s Rome, as hundreds of thousands of Celts were killed, sold into slavery or maimed. After his victory Caesar went back to Rome; Gaul and Britain were left alone for 15 years. When the Roman emperors later began to set up an administration, most of southern and eastern Gaul was brought within the Roman empire fairly easily, as the Celts in this region had already established a sedimentary lifestyle, and a trade based economic system. The further borders of the Roman Empire remained in a state of flux for sometime, with the constant pressure from the so called ‘Germanic’ tribes pressing in from the east, which finally contributed to the collapse of the Roman Empire in the 5th century AD. The term ‘Germanic’ was termed by Caesar who called anybody north of the Rhine ‘Germanic’, and anybody south of the Rhine ‘Celtic’. Archaeology makes it clear that while there were two different material cultures, with different house building and burial styles, they were much more intermixed than Caesar’s simplistic geographical divisions would indicate.
There were differences between the religious practices of European and the British Celtic peoples. The south of England which was settled by the Belgic peoples is more closely tied to the Continent, while northern England has more unique deities and practices. Ireland had even less contact with Europe and maintained its culture the longest. The Continental Celts had been influenced by the Mediterranean cultures, with their regular trading with the eastern Mediterranean from as early as 8th century BC, and regular river and inland trading between southern Britain and the Mediterranean since 6th century BC. Where as the trading links, with the other Celtic regions was occasional and maritime.
Recorded History.
According to Caesar there are no contemporary religious writings from the Celts themselves because, as the Celts had a religious prohibition against writing things down, although they eventually kept trade related records using Greek characters. We must rely on the writings of others. A number of classical writers mentioned the Celts. The very first use of the term ‘Keltoi’ is by the Greek Hecataeus of Miletus around 500 BC. Most of these Greek and Roman authors whose works have survived didn’t have any first hand knowledge of the Celts. Most of the extant writing comes from the first two centuries of the common era, and rely on observations of the Stoic philosopher Posidonius, early 1st century BC, whose own writings have been lost. His information was based on first hand knowledge of Celtic society in Gaul. Scraps of his writings are contained in later writings, especially Athenaeus, Diodorus Siculus, mid 1st century BC and Strabo 40 BC-25 AD.
From Posidonius we learn that Celts subscribed to the Pythagorean idea of transmigration of the soul, which Caesar mentions as well though he couches it in terms of making the fighters unafraid of death. Julius Caesar had the opportunity to see Celts at first hand, both on the continent and in Britain, but his concerns were mainly military. His writings also served as propaganda to raise money for his campaign against them. He wasn’t particularly interested in religion other to note the influence of the Druids on the nobility. Caesar describes the Druids, saying they ‘officiate at the worship of the Gods, regulate public and private sacrifices, and give rulings on all religious questions. Large numbers of young men flock to them for instruction and they are held in great honour by the people. They act as judges in practically all disputes whether between tribes or between individuals.’ He also noted that the Druids had the power to ban someone from the sacrifice, which meant both excommunication and shunning by the community. He mentions that there are many and diverse deities but does not name them except to use the name of whichever Roman deity possessed similar attributes.
It is to Pliny the Elder, 1st century AD, that we owe our image of the Druids cutting mistletoe with a golden sickle. It was an afterthought on the mistletoe entry in his book on trees. The word he used was ‘sacerdos’ not Druid, and it was probably the Vates who would perform such a ritual. We get this division of the Celtic ‘priesthood’ from Strabo’s ‘Geographica’ written at the end of the 1st century BC, which states ‘Among all the Gallic peoples, generally speaking, there are three sets of men and women who are held in exceptional honour: the Bards, the Vates, and the Druids. The Bards are singers and poets; the Vates, diviners and natural philosophers; while the Druids, in addition to natural philosophy, study also moral philosophy.’
Additionally, Irish vernacular evidence does tend to support this three part division.
Classical sources tended to sensationalise Celtic religion. They were, after all writing about foreigners who were considered barbarians. Like today it’s the unconventional and ‘uncivilised’ information that received the most attention, there was little accurate information about the Celtic Deities, as the authors tended to use their own Gods, already understood by the populous, who they thought nearest to worship of the Celtic Gods. Again like today they were the sensationalist’s like Lucan 1st century AD, who reported that the three major Gods of the Gauls demanded human sacrifice, Taranis (burning),Teutates (drowning), and Esus (hanging and wounding). The Romans had banned human sacrifice only a generation or two earlier and this was reported, so the Romans could be seen to be superior beings, early propaganda.
The classical writers of the day also describe the Celt’s appearance, Diodorus tells of the men of the Gauls being tall and fair with loud voices and piercing eyes, and the women being nearly as big and strong and as fierce as their menfolk. Tacitus decribed the Caledonii of Scotland as having reddish hair and large loose limbs, the Silurians of Wales described as swarthy, with dark curly hair. Dio Cassius as large and frightening, with bright red hair, Strabo records that both sexes liked to wear lots of jewellery, this is confirmed by archaeological findings, showing heavy torcs, brooches, rings, necklets and bracelets.
An idealised picture of the classical Celt is best described by Virgil in the following quote, ‘Golden is their hair, and golden is their garb. They are resplendent in their striped cloaks, and their milk-white necks are circled in gold.’
Inscriptions on alters and votive objects provide almost 400 names of Celtic deities, unfortunately many of the names just appear the once, and have no evidence about the deity, others had descriptive epithets added to their names, others are paired to Roman deities, allows us to guess more accurately about their Celtic counterparts. Some classical Roman deities receive Celtic epithets, and classical Gods often received Celtic consorts.
The Celts were seen to have a hierarchy in the sense of a coherent pantheon dwelling in some remote place. The human world and the Otherworld formed a unity in which the human and divine interact. Each location has numinous powers which are acknowledged by the people as we can see by their naming of mountains, rivers and other natural features many of which have associated deities.
When the Celts invaded Greece in 278 BC, Brennus entered the precinct of Delphi, saw no gold and silver dedications, only stone and wooden statues and he laughed at the Greeks for setting up deities in human form. Caesar mentions that the Germans worship the forces of nature only.
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The Use of Celtic Designs in Tattoos
Jan 22nd
Celtic history goes back thousands and thousands of years. Early Celtic people were well known for their skills in artwork of jewelry, metal, and even weapons. They were warriors as well, regarded as fierce fighters by the Romans. Throughout Ireland, there are many examples and evidence of Celtic artwork and Celtic crosses.
Over the years, modern Celtics evolved and established symbols for themselves along the way. Throughout North America, Celtic people often wear these symbols to let others know that they are a Celtic descent. The symbols and knowledge have been passed down through the years, as there is little no written history. Tattooing however, keeps the Celtic tradition alive with the infamous Celtic cross and other popular Celtic designs.
Most Celtic tattoo designs come from Ireland, where the evidence of Celtic history is very strong indeed. The Trinity College found in Dublin, Ireland, contains many manuscripts that document the Celtic heritage and symbols. The height of Celtic tattooing however, occurred during the era when stone and metal work was really popular.
Celtic knot tattoos are some of the most popular and most common designs, featuring loops with no end that symbolize a never ending cycle of dying and rebirth. There are also Celtic animal tattoo designs as well, which are similar in design to the knot tattoos, although the cords in the design normally terminate in heads, tails, and feet. The pure knot tattoo designs are normally never ending, unless an individual adds an end to symbolize a spiral.
The meaning behind the knots in Celtic tattoos defies any type of literal translation and is found at a much deeper level. The interlacing of the knots expresses the repeated crossing of both physical and spiritual elements. The strands and their never ending path is a popular design for Celtic tattoos, representing life, faith, and love. For many years, Celtics have used these designs for emotional as well as heritage purposes.
Those who are from a Celtic descent, Irish, Scots, or Welsh, normally find a Celtic tattoo to be a great way to express their heritage pride. These tattoos help to reestablish pride, and give tribute to one’s ancestors. The tattoos aren’t easy to do, most taking several hours. Unlike other tattoo designs, Celtic tattoos are among the hardest designs in the world.
If you are from a Celtic descent and have decided to get a Celtic tattoo, the first thing to do is find an artist capable of doing the tattoo. The designs are very difficult and not all tattoo artists can do them. It’s always best to find a tattoo artist who has a background in Celtic designs, as this will ensure the tattoo is done correctly. The artist who does the tattoo needs to have an eye for detail and exact line placement – which is a skill that not all tattoo artists possess.
Read about orange canary, raising nightcrawlers and other information at the Interesting Animals website.
Celtic Symbols: Finding Meaning in Celtic Art
Jan 15th
There is an undeniable aura that surrounds Celtic designs and Druid traditions. Although I have strong family ties to both Ireland and Scotland, you don’t need a Celtic heritage to be enticed by the culture. It’s been said that as long as you respect Mother Earth and feel an affinity with the Celtic people you too have a Celtic soul.
The meanings behind all of the spirals, knots, labyrinths, and crosses have intrigued many people for many centuries. Since you will find all of these symbols in this book, a brief explanation of some of the more popular interpretations are listed on below:
Celtic Knots:
Quite possibly the most recognized of all the Celtic symbols is the knot. The elaborately interwoven design with no end and no beginning is thought to be an expression of the Celts’ belief in eternity. The Druids and the ancient Celts believed in a life without end, with death only being a transition into a new phase. While all knot patterns contain this element of life-everlasting, certain designs are believed to carry more specific meanings.
For example, the triquestra or trefoil knot points to the importance the Druid’s placed on the number 3, the number of fate. This design was such a hallmark of the Celtic people that Irish Christians found a way to bring it into their new faith by adopting the symbol as a representation of the Blessed Trinity.
Spirals:
There seems to be a lot of debate as to the true meaning of spirals in Celtic art. The direction of the spiral and the number of rotations appears to affect the meaning behind the image, therefore we will discuss some specific configurations.
Triple Spiral- is also known as the triple Goddess or triskele, symbolizing the maiden/mother/crone phases of life or the three phases of the Moon.
Double Spiral- signifies balance. Also believed to portray the equinox, a time when day and night are equal in length.
Clockwise Spiral- While the Druids tended to favor the Moon in their symbolism, this design is actually a representation of the Sun. A loosely wound spiral would embody an expansive summer sun while a tightly wound spiral expressed the shortened days and long nights of winter.
Labyrinth or Step Patterns:
Symbolic of the journey we take in life, the labyrinth was often used during prayer or meditation. Focusing on the design reminds us that life is full of options, and open doors, as well as obstacles to overcome.
Circles:
Finally, we come to the simple circle, the building block for mandalas as well as Celtic imagery. Much like Gods’ love, the circle is never ending. It is a universal symbol of the cycle of life; birth-death-rebirth. The intertwining of circles is the basis for many Celtic knots with the number of circles often symbolizing something more.
Note that by combining 3 circles the aforementioned triquestra knot is formed in the center. On the other hand, five circles linked together form the circle of being; a Druid illustration of the four earthly elements being forever united by a fifth element, balance.
Michelle Normand is a graphic designer and author of the 30-Minute Mandalas coloring book series, including a new 30-Minute CELTIC Mandalas coloring book.
To learn more about the author and keep up to day on her next release, please visit Michelle at www.30minutemandalas.com.
Celtic Myths and Legends
Jan 8th
This is an enchantingly told collection of the stirring sagas of gods and goddesses, fabulous beasts, strange creatures, and such heroes as Cuchulain, Fingal, and King Arthur from the ancient Celtic world. Included are popular myths and legends from all six Celtic cultures of Western EuropeIrish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been …
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The Fascinating History of Celtic Tattoos
Dec 11th
Celtic history goes back thousands and thousands of years. Early Celtic people were well known for their skills in artwork of jewelry, metal, and even weapons. They were warriors as well, regarded as fierce fighters by the Romans. Throughout Ireland, there are many examples and evidence of Celtic artwork and Celtic crosses.
Over the years, modern Celtics evolved and established symbols for themselves along the way. Throughout North America, Celtic people often wear these symbols to let others know that they are a Celtic descent. The symbols and knowledge have been passed down through the years, as there is little no written history. Tattooing however, keeps the Celtic tradition alive with the infamous Celtic cross and other popular Celtic designs.
Most Celtic tattoo designs come from Ireland, where the evidence of Celtic history is very strong indeed. The Trinity College found in Dublin, Ireland, contains many manuscripts that document the Celtic heritage and symbols. The height of Celtic tattooing however, occurred during the era when stone and metal work was really popular.
Celtic knot tattoos are some of the most popular and most common designs, featuring loops with no end that symbolize a never ending cycle of dying and rebirth. There are also Celtic animal tattoo designs as well, which are similar in design to the knot tattoos, although the cords in the design normally terminate in heads, tails, and feet. The pure knot tattoo designs are normally never ending, unless an individual adds an end to symbolize a spiral.
The meaning behind the knots in Celtic tattoos defies any type of literal translation and is found at a much deeper level. The interlacing of the knots expresses the repeated crossing of both physical and spiritual elements. The strands and their never ending path is a popular design for Celtic tattoos, representing life, faith, and love. For many years, Celtics have used these designs for emotional as well as heritage purposes.
Those who are from a Celtic descent, Irish, Scots, or Welsh, normally find a Celtic tattoo to be a great way to express their heritage pride. These tattoos help to reestablish pride, and give tribute to one’s ancestors. The tattoos aren’t easy to do, most taking several hours. Unlike other tattoo designs, Celtic tattoos are among the hardest designs in the world.
If you are from a Celtic descent and have decided to get a Celtic tattoo, the first thing to do is find an artist capable of doing the tattoo. The designs are very difficult and not all tattoo artists can do them. It’s always best to find a tattoo artist who has a background in Celtic designs, as this will ensure the tattoo is done correctly. The artist who does the tattoo needs to have an eye for detail and exact line placement – which is a skill that not all tattoo artists possess.
Al Dawson is a 25 year + collector of Tattoos and runs the company http://www.ultimatetattookits.com.
For the best prices and fast service check out his store now: http://www.ultimatetattookits.com.
The Author grants full reprint rights to this article. You may reprint and electronically distribute this article as long as its contents remain unchanged and the Author’s byline remains in place.
The Celts: A History
Nov 27th
By the third century B.C., at the height of their greatest expansion, the Celts had spread from their Rhineland home as far west as Ireland and east to Turkey’s central plain, as far north as Belgium and south to Cadiz in Spain. They had crossed the Alps and defeated the armies of the Etruscan empire and had occupied Rome and invaded the Greek peninsula. Formidable warriors armed with iron weapons, they would find their way to Egypt and into Queen Cleopatra’s elite bodyguard. Tr…
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The Ancient Celts
Nov 20th
Review
Each generation, the British scholar Jacquetta Hawkes has observed, chooses the archaeology that best suits its current ideology. For a century beginning in the late 1800s, archaeologists depicted the Celts as an inordinately brave and poetic tribal people who battled their way across the Eurasian world without being unduly aggressive–in the manner, that is, of good colonialists. Today some archaeologists are more inclined to consider the Celts as a people who kep…
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In Search of Ancient Ireland: The Origins of the Irish from Neolithic Times to the Coming of the English
Nov 13th
Review
A great story, interesting to read and appealing to anyone with an interest in Ireland…A readable history…poignant, not pedantic. — Virginia Garnett in Carroll County TimesIn bite-sized morsels … Search tells us about both the major figures central to … events and the daily lives of commoners. — Richmond Times-Dispatch
A clearly recommended pick for anyone interested in…Irish history
. Provides an important gateway to understanding early Irish roots. — The…
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The Haunted History of Halloween
Nov 6th
Hosted by harry smith this is an enchanting look at the 3000 year history of one of our most popular holidays. Studio: A&e Home Video Release Date: 04/26/2005
The Celtic World: An Illustrated History 700 B. C. to the Present
Oct 16th
Lavin leads the reader on an entertaining and informative journey through 150 captivating pages of Celtic history, culture, and tradition. This is a book to be enjoyed by all readers, from young scholars to those simply interested in Celtic history. Here is the perfect gift idea, a reference guide for travellers, and a concise yet insightful survey of Celtic history.
About the Author
Patrick Lavin
…
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Celtic Cross Tattoos – What is the True Meaning?
Oct 9th
Celtic cross tattoos are the most powerful way of expressing your faith in God’s love. The cross is regarded mainly as a symbolization of Christianity nowadays. The Pagan followers consider it as the symbol of sun demonstrating its life-giving qualities. The designs of Celtic cross tattoos have gained the attention of thousands of people from all over the world and they are the most popular tattoo designs now. People of Celtic ancestry wear the cross tattoos to show their respect to their ancient culture.
Celtic cross tattoos with knotwork are a more complicated design since they symbolize the complexity of nature. The knots in the spirals and mazes show the reflective nature of the four seasons, the circle around the cross depicts the ancient religious meaning.
The Celtic cross is represented well in the Book of Kells. In fact, many religious cultures have The Celtic cross as the system of symbols. Hence, there is no wonder why many people have a high regard for Celtic cross tattoos.
Celtic cross tattoos have a deep connection to pre-Christian religion. When the ancient Celtic people converted into Christianity, naturally the Celtic cross became a symbol of Celtic Christianity. Ireland offers so many variations of the Celtic cross. Celtic cross tattoos are awesome in appearance, there is no denying this, and the legend of Celtic history now continues to grow in the form of Celtic cross tattoos.
Celtic cross tattoos are indeed found in ancient Bible manuscripts. Many elaborate Celtic designs are inspired by the fabulous drawings found in those books. These Celtic cross tattoos are not only beautiful but when used as tattoos – they are also flexible. You can use them to be tattooed as small armbands or you can ink them in the entire back area. The designs can be either simple or complicated. Whatever the design, they express the importance of emotions rather than a physical object which shows the powerful meaning of life.
Many Celtic cross tattoos feature the beautiful artwork of ancient Celtic knot work. These represent ethnic heritage and faith. The four points in the cross represent the four parts of man or the four elements that include earth, wind, fire and water or the four points in the compass. Celtic cross tattoos with circle symbolize the love of God or the majesty of the Sun God according to Pagan beliefs.
Though different people may have different meaning for the symbol, Celtic cross tattoos are something that can evoke the spiritual emotions of people. Again, the flexible style and decorative nature of the designs gain great popularity among tattoo lovers. Importantly, the size of the cross can be reproduced easily to ink them anywhere on the body.
It is important to know the meaning of the Celtic cross tattoos before wearing it. A common person may not understand the meaning of these symbols. However, I must admit there is a growing awareness of Celtic culture nowadays; it is almost a popular trend to be versed in Celtic culture. You need to take the appropriate care to avoid misrepresenting the design. Be sure to check out online galleries – there is a plethora of quality designs available only if you know where to look. Choose the right design, think hard about the placement, ignore the critics and you will have no regrets.
Celtic Design Tattoos
Sep 18th
Celtic design tattoos have experienced a massive revival in recent years. The history of the Celts goes back thousands of years. The early Celtic people displayed their skills in complex artwork and were regarded as fierce warriors by the Romans. Influences for Celtic design tattoos and evidence of Celtic crosses and Celtic artwork can still be found all over Ireland.
Modern Celtic people have evolved symbols for themselves, and North Americans, of Celtic descent often adorn Celtic design tattoos to show off their Celtic origin. The ancient Celts passed knowledge down through an oral tradition of storytelling and didn’t keep many written records. Consequently, there is little evidence of their actual Celtic design tattoo preferences remaining even though Cross Celtic design tattoos and Knot Celtic design tattoos are very popular designs.
Most of Celtic design tattoos are taken from the Irish Illuminated Manuscripts The Book of Kells, which is on display in the library of Trinity College in Dublin. This manuscript represents a much later time period than the time period of the height of Celtic design tattoo. Designs from ancient stone and metal work are more likely to be from the same time period as Celtic design tattooing.
Knot Celtic design tattoos are usually loops with no end or beginning, much like the Mobius strip, symbolizing the never ending cycle of death and rebirth. Celtic animal (zoomorphic tattoo designs) designs are similar in construction but the cords traditionally terminate in the feet, heads or tails of the Celtic design tattoos. Pure knots are usually unending, unless the end of a strand is stylized into a zoomorphic element or a spiral.
The intricacy of Knot Celtic design tattoos, defy literal translation and their meaning are to be found at a deeper level. The repeated crossing of the physical and the spiritual are expressed in the interlacing of the knots. The never ending path of the strands may represent the permanence and the continuum of life, love and faith. For these reason Celtic design tattoos have become incredibly popular.
If you are of Celtic heritage, whether Irish, Scots or Welsh, getting Celtic design tattoos is a way of expressing pride in your heritage by reaffirming an affinity to the indigenous artistic style of your ancestors. Celtic design tattoos are not easy designs to recreate, and it is strongly recommended to make sure that your artist has experience in designing Celtic design tattoos. Not all tattoo artists have such an eye for detail and exacting line placement required for the intricate patterns particular to Celtic design tattoos.
The Celtic Empire: The First Millennium of Celtic History, 1000BC – AD51
Sep 11th
European recorded history north of the Alps begins with the Celts. At their height, they stretched over the ancient world from Ireland and Britain to Turkey and Czechoslovakia, from Belgium and Gaul to Spain and Italy. They sacked Rome, invaded Greece, and even attempted to take over the Egypt of the Ptolemy pharaohs. Yet theirs was an empire without an emperor, a civilization that encompassed the continent but had no central government. To tell its history, Ellis matches his story…
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Celtic Tribal Tattoos?
Sep 1st
As Celtic symbols become increasingly popular as tattoo designs, you sometimes see them categorized as “tribal tattoos.” Is this accurate? Well, when it comes to words and definitions, there’s always room for argument. But you can make a good case for Celtic tattoos being authentically tribal.
In the Western world, we tend to think of “tribes” as referring to non-Western cultures, such as Africa,South America, the South Pacific and pre-European North America, for example. Yet the fact is, Europe was quite tribal until the “barbarian tribes” (as they were considered by the Romans!) settled down into a feudal existence that, if not civilized by modern standards, was more organized and less tribal.
The Celts were certainly tribal in many respects, and perhaps resisted the advances of “civilization,” including Christianity, more than most other Europeans, with the possible exception of the Vikings. Julius Caesar wrote of the Celts as a savage people who painted themselves in strange colors before battle to frighten their enemies. This painting, incidentally, was most likely not tattooing, though we still aren’t sure if the Celts practiced this art. As they did not keep written records, many of their ancient practices remain a mystery. See, for example, What We Don’t Know About The ancient Celts.
As for Celtic designs themselves, many of the symbols, such as knotwork and spirals, have a tribal appearance. Every part of the world, of course, has it’s own distinctive designs. So whether you want to call your Celtic tattoo tribal or not is really a matter of personal preference. It is not, however, completely off the wall to do so!
100 Links To Celtic Culture Sites
Aug 24th
I found this very useful list of 100 Fascinating Celtic Culture, Language & Lit Blogs on the Bestuniversity.com site. The list has categories like music, sports, theater, literature and so forth. A great resource for anyone researching almost any aspect of Celtic culture!
Happy Celtic New Year’s
Nov 2nd
Samhain, or Halloween marks the end of the light half of the year and the beginning of the dark half in the Celtic calendar. It may seem odd to think of November 1 as New Year’s Day, but perhaps no stranger than January 1, which is, after all, the heart of winter. A more intuitive New Year’s Day would probably be the start of Spring, around March 21. However, it’s interesting to contemplate why the Celts chose the time of year when winter was approaching to mark the New Year.
Samhain, which was the largest celebration in medieval Ireland, lasting for three days, is also the name of the month of November in Irish and Scottish. It marks the final harvest, as well as being a time to honor the dead. It is also believed to be a time when the “veil” between worlds -the world of the living and the world of the dead- is thinnest. This is the origin of modern Halloween ghosts, witches and so forth.
Wiccan and Celtic Re-constructionist pagans also honor Samhain as the highest holy day. They generally follow the Celtic Wheel of the Year, which is marked by the four seasonal changes (the solstices and equinoxes) and four festivals, Beltane, Samhain, Lughnasa and Imbolc. While the ancient and medieval Celts probably did not follow this calendar precisely, it is based on some of the traditional Celtic festivals and honors the Celtic practice of following the cycles of nature.
Some religious fundamentalists, meanwhile, see Halloween or Samhain as satanic or a celebration of heathen gods. While the latter may be true from a Christian (or monotheistic) point of view, the notion that pagan beliefs are satanic is not accurate. The fact is, paganism originates from a world view that did not recognize a single malevolent entity such as Satan or the Devil, so such an entity was neither worshipped nor feared or hated.
Many Celtic Christians have integrated the traditions of their pagan ancestors with Christian beliefs. For example, November 1 is also All Saints Day. The other pagan festivals have been similarly “updated” with Christian interpretations.
Whatever path you follow, Happy Celtic New Year!






