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Ondine is an unusual film that uses Celtic mythology as a background theme for a low key romantic tale. Director Neil Jordan, best known for The Crying Game, sets this movie in modern day Ireland, but in many ways there’s an old fashioned, even ancient ambiance to it. Of course, there are cars and cell phones, but the story centers on Syracuse, a Fisherman (Colin Farrell) living in a small village who pulls a woman (Alicja Bachleda) out of the water, and this theme could have been taken from a folk tale (Irish or otherwise) that dates back centuries.

The woman has no apparent memory and calls herself Ondine (which is a word for a kind of water nymph), and she may or may not be a supernatural creature. Like another film from 1995, The Secret of Roan Inish, this one deals with the legend of selkies, half woman-half seal creatures that are traditional to Celtic folklore. However, Ondine is quite original and deals with the subject in its own way.

Syracuse has a young daughter (Alison Barry) who is mostly confined to a wheelchair due to a kidney ailment, and has a contentious relationship with his ex-wife, which complicates his situation when he find Ondine. As you might expect, Syracuse and Ondine develop a relationship of sorts, but, unlike the way such a theme would be handled in a typical Hollywood movie, the characters are all quite complex and the story seems more interested in exploring archetypal themes than conforming to a formula plot.

Ondine is a movie that fans of indie movies, Celtic myth and compelling but quiet tales will enjoy. Netflix, somewhat incorrectly, categorizes this film as sci fi/fantasy. It remains uncertain for much of the movie whether or not Ondine is actually a selkie, but apart from this, if you’re looking for a movie with special effects or bizarre shapeshifting creatures, this isn’t it. If you have to put Ondine in a category, it would be an independent romantic drama.