Celtic symbols, arts and culture
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A History of Britain 7
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Celtic Cross Tattoos – The Truth About Their History
Apr 28th
Celtic Cross Tattoos – The Truth About Their History
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Home Page > Arts & Entertainment > Art > Celtic Cross Tattoos – The Truth About Their History
Celtic Cross Tattoos – The Truth About Their History
Posted: Oct 26, 2009 |Comments: 0
| Views: 210 |
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With diversified significations that encompass thousands of years of Celtic culture, Celtic cross tattoos unite the extensive variations of one of the most commonly recognized forms of expression and belief. The Celtic cross represents origins associated to both the Christian belief and the ancient Celtic fertility symbol.
The Celtic cross tattoo is usually a symbol of allegiance to the Irish culture. Today, the intricate artistic designs and never-ending possibilities of Celtic cross tattoos have gained a large following outside of this cultural symbolism. Where a tattoo is selected for symbolic reasons, it frequently is a symbolization of honor to the ancient Celtic culture.
<b>The Meaning and History of Celtic Cross Tattoos</b>
The Celtic cross has a well-defined circle which is characteristic of the most acknowledged of all Celtic expressions. The circle on the cross is considered to be a symbol of timeless existence.
Over time, the Celtic cross has been likened to ethnic earth symbols, as well as being engaged to the mysterious nature of original Celtic Christians believers. Overall, Celtic cross tattoos can serve as an expression of pride related to heritage from the Gaelic countries of Ireland, Scotland, and Wales.
For thousands of years, the world has been enchanted by the spirals, crosses and twirls of Celtic artwork that represent the Gaelic belief that there is no end to life. The Celtic cross is also representative of the changing of seasons or can relate to definitive stages in one’s life. If you have chosen a Celtic Cross Tattoo for your next tattoo – you have made a great decision, you will not regret it. Peace.
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History Behind the Design of Celtic Jewelry
Mar 31st
History Behind the Design of Celtic Jewelry
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Home Page > Hobbies > Collecting > History Behind the Design of Celtic Jewelry
History Behind the Design of Celtic Jewelry
Posted: Dec 30, 2010 |Comments: 0
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The tradition of exchanging rings at a wedding came from the Romans. They took it to Britain when they invaded, and it took hold as Roman culture overcame the indigenous one. Rings back then were often made of yellow gold from the mines of Spain, later local mines in Britain. Celtic jewelry grew from there, taking the culture of Rome with the artistry of the Celts to become one of the most iconic design styles in the world.
Celtic design pervaded British culture until the dark ages, when all design and inspiration took a break for a couple hundred years. The resurgence came as Britain moved out the other side of the dark ages, and embraced creativity once more. Later, Oliver Cromwell’s Puritans banned wedding rings as “popish,” among many other things including colorful dresses and having fun.
Once the Royalists were reestablished in 1660, the wedding ring made a comeback, as did traditional arts and crafts. Celtic jewelry was again the prevalent design until trade with Europe brought more delicate arts to the fore. Celtic design also flowed outward throughout this time, with the artwork mingling across cultures in Europe.
While society moved on with fashion, Celtic design had left its mark and remained popular right up until present day. It is one of the few design schools that has spanned over thousands of years and still retains that authentic character. Many older art forms, such as hieroglyphics, Coptic and Latin can still be found today, but do not share the same popularity as Celtic jewelry.
The designs the Celts used reflected the way they lived through the ages. The thick, sturdy designs, with fine decoration reflect them as a people. Times were hard, and you had to be hardy to survive. Yet the tribes also liked art, things of beauty and had an extremely high standard of craftsmanship. This is reflected in the sinuous lines and bold decoration that adorns their pieces.
The Celtic spiral, used often in jewelry, is believed to reflect eternity. The Celts believed the spirit is eternal, and this theme pervades many Celtic jewelry designs. The Celtic cross also feature prominently, but mainly on architecture or stone remains. It does appear on jewelry, but not so often. It’s origins have been traced to long before the Christian version, and are believed to mean knowledge, wisdom and fortitude.
Celtic knots are one of the most famous designs still in use today. The true meaning has been lost to time, but we believe that they mean eternity, as the knot has no beginning, or end. There is also a theory that is symbolizes the cycle of life, from birth, life, death and round again to rebirth. Whatever the true origins, those meanings are poetic if nothing else.
With such a rich and colorful history, it’s no wonder this ancient art form has survived for so long. At face value, Celtic jewelry is a delight to own. Combined with a romantic and ancient history, it evokes wonder as well as delight.
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Leigh Maher researches and writes about Celtic jewelry, and specialises in Celtic wedding rings, Celtic engagement rings and bridal jewelry. He also writes about wedding traditions, Celtic culture, and Ireland.
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Leigh Maher researches and writes about Celtic jewelry, and specialises in Celtic wedding rings, Celtic engagement rings and bridal jewelry. He also writes about wedding traditions, Celtic culture, and Ireland.
http://www.online-shopping-blog.com/misc/history-behind-the-design-of-celtic-jewelry.html
Celtic Jewelry – Symbolism and History
Mar 24th
Celtic Jewelry – Symbolism and History
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Home Page > News and Society > Women’s Issues > Celtic Jewelry – Symbolism and History
Celtic Jewelry – Symbolism and History
Posted: Sep 01, 2008 |Comments: 0
| Views: 154 |
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Celtic jewelry and designs have been popular for many years and are well known for their intricate and flowing patterns. Celtic jewelry itself is an ancient form of design, with different styles of interconnected lines and symbols that all display the early belief that everything in the world worked together and in harmony.
Different knots, shapes and patterns have come to symbolize different aspects of Celtic belief and culture, although most people today are not aware of all the history behind the pieces. Below are a few of the common patterns and symbols used in Celtic jewelry and their modern or ancient meanings:
Celtic Cross – the original Celtic cross is actually different than the cross associated with Christianity and the modern Christian churches. The Celtic cross has four equally long arms and is always traditionally in front of or enclosed by a circle. This represents the four elements of the world, earth, air, water and fire and the circle of course represents the interconnectedness of the four elements.
Spirals – a very common pattern, sometimes completed with such fine detail they seem to be hypnotic, the spiral indicates birth and the expansion of all living things through life. It is also the symbol of the sun, which is needed for life and growth. A clockwise spiral is the winter sun and a counterclockwise spiral the summer sun. Two spirals going opposite directions back to back are similar to other symbols that indicate balance and good and evil, birth and death and yin and yang.
Chevrons – this looks somewhat like stylized heart shapes but they are connected from the point of one chevron to the widest or top part of the other. They are often used as a repetitive pattern or border type pattern and represent strength and power.
Rope Work – this finely detailed pattern looks like a flat braid or woven piece of rope. It is typically used to provide a border or central pattern on rings and bracelets. The rope work symbol is often paired with crosses and spirals to create a flowing and almost undulating pattern.
Knots – single or double knots are common in the patterns of Celtic design and represent togetherness, loyalty and connection. The knots are formed with no apparent beginning or end and may have also been used to symbolize the eternity of the world. The first Celtic knot patterns were believed to have been developed around 450 AD.
Much of the history and exact meaning behind different Celtic jewelry patterns has been lost and can only be speculated on. Unfortunately there was no written record of what each of the various knots and patterns originally represented and any stories or legends have been long lost. Some basic meanings, such as the three cornered symbol or the trinity knot is found in more than just Celtic jewelry and design and is likely representative of the human body, mind and spirit or of the more Christian representation of the Father, Son and Holy Spirit.
Regardless of the exact meaning behind the Celtic jewelry patterns, it is impossible not to be impressed with the workmanship and detail that goes into creating these infinite patterns. Celtic jewelry is not available everywhere, but with a bit of looking around you are likely to find a piece that really captures your imagination and will make a great addition to your jewelry collection.
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Amy Carrington is a fashion maven and editor at www.SorellaJewelry.com. Sorella Jewelry Studio creates elegant and original personalized jewelry with the names, words, dates and Chinese symbols that matter to you.
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Amy Carrington is a fashion maven and editor at www.SorellaJewelry.com. Sorella Jewelry Studio creates elegant and original personalized jewelry with the names, words, dates and Chinese symbols that matter to you.
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Home Page > Education > History > The History of the Picts
The History of the Picts
Posted: Jan 05, 2011 |Comments: 0
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Recent research has resolved a number of the enigmas,that have been associated,with the inhabitants of Pictavia.Their lands extended from the Shetlands to a line approximately between the Firth of Forth and The Clyde River,Scotland.Place names on Ptolemy’s second century ADE map of Britain suggests,that during the Roman period the people, who occupied the traditional Pict homelands,spoke a version of the P Celtic language, with a possible Bronze Age component.It probably varied from the P Celtic that was spoken in Wales,because the two populations were separated from each other during and possibly prior to the Roman occupation of England and Wales.The P Celtic word for pit translates to a portion of land.There are about three hundred place names north of the Firth of Forth that begin with pit.Aber means river mouth or confluence in P Celtic[eg:Aberdeen,Abernethy,etc]. When St Columba communicated with the Pict King Brude,he required the services of an interpreter,which suggests that Brude may have spoken a version of P Celtic [T Clarkson,2008].
The mtDNA sequences of 170 samples from the ancient Pict homelands of Grampian and Tayside were compared with ca 5000 blood donar specimens,which were collected from over the breadth of Scotland.The results did not reveal any significant variation with females from the mainland of Scotland..Pictavia. mtDNA does differ from those in the Shetland Islands and Orkney,where there is a strong Norse overprint.This study indicated that Picts and Celts have a similar underlying Mesolithic genetic origin.The mtDNA samples from Ireland,the Hebrides and the western seaboard of Scotland have a Mediterranean,Neolithic expansion component.The distribution of male Y chromosome genes is more complex.Among the Argyll specimens in SW Scotland about one third of the native genes have been replaced [by an influx of males from Dol Riata,Ireland?]. Extant Argyll Y chromosomes have a closer affinity to Hebrides samples,than to those in the highlands of Scotland and Pictavia.The Norse contributed to the male gene pool along Scotland’s west coast and the Hebrides.The Grampian and Tayside individuals only had a 2% Norse content.No Nordic longhouse remains or place names have been identified in these former Pict domains. [B Skyes,2006].The Picts had primarily indigenous genetic origins with no evident foreign component.
The Romans named the warriors,who painted their bodies north of the Firth of Forth Picts.Tacitus described them as fair or red headed,with long limbs similar to Gauls.A painted Pict pebble at Old Scatness on the Shetlands has been dated to ca 400-200? BCE.The Picts erected stone broches on a number of Scotland’s islands ca 1-200 ADE.Pict nobles occupied strong holds that were protected by the natural terrain and fortifications,which contained timber halls and subsidiary buildings [J Clarkson,2008].By the third centuary ADE two Pict confederacies had been formed.The Caledonians were prominent in the north and the Maeatus held sway in the south.Roman records and Hadrian’s wall attest to their military prowess,which successfully resisted persistent Roman endeavours to subjugate them. Pict ships allowed them to bypass Hadrian’s wall and raid coastal areas to the south [[L Lang,2006].When the Roman emporer Honorus told the people of Britain [410 ADE],that there would be no more military intervention from Rome,new kingdoms [eg:Stratheclyde] emerged to threaten the southern border of Pictavia.Its boundaries fluctuated temporally and were usually more extensive,when there was a strong king on the throne.Pict monarchs did not have a bureaucracy or a civil service.They generally fought with the common soldiers on the battle field and there were frequent royal causalities.The chronology of the Pict kings is difficult to resolve.There are more written records for the past 550 ADE period [T Clarkson,2008].
Pict art emphasizes the social status of horse warriors and a knowledge of seafaring. Horses were prized and were often depicted on symbolic stone petrographs.They were accomplished artists,who made high quality,naturalistic,animal drawings.Pict stone carvings were generally superior to those in England [M Carver,2008].Between 40 or 50 symbols appear on ca 245 Pict stones.A number only appear once and their symbol classification is tenous.Normally symbols appear in combinations of 2 or 4.There is usually a pair,which is comprised of an animal and an abstact symbol.Symbols do not overlap and seldom touch.There are no local distributions or concentrations of any one group,which could infer that their meaning was understood throughout Pictavia [speculation]. Fauna included horses,bulls,boars,stags, wolves,bears,fish eagles,geese, serpents,the Pict beast and the S dragon.Abstract symbols have a variety of classifications [eg:crescent,V rod].Their interpretation and chronology are equivocal.During the late Pict era,when Christianity gained momentum,the traditional symbols fell into disuse.There is minimal information about Pict rituals,divinities,and religious beliefs prior to the arrival of St Colulba ca 563 ADE [L Liang,2006].The Picts made a variety of elaborate jewelry and metal weapons.Excavations indicate that there was an abundance of precious metals in circulation [A Moffat,2005].
Picts lived in a variety of structures,which varied regionally and temporally [eg:broche dwellings,ring forts and hill forts].Stone wheel houses with radial piers appear to have replaced broche structures on Orkney and were still in use,when the Norse arrived. Earthen wheel house on the Hebrides followed a similar pattern.Cellular homes were built ca 200-600 ADE at some locales [eg:Coilegan on Udail and on North Uist:L Lang,2006].The religious endeavours of St Columba do not appear to have had an immediate impact on the picts,who were relatively slow to accept Christianity [T Clarkson,2008].
The Pict kings gained their thrones through the matriliny line of royal inheritance.Ca 25% of Pict monarchs were succeeded by their brothers,which is compatible with this mode of succession.Most royal princes obtained their names from a small selection of names.Sons of foreign fathers and Pict mothers were often given one of these names, which made them eligible to assume the throne.At least three Dalriada individuals gained control of the Pict confederacy in this manner [ibid].
Brude,son of Malcolm ruled Pictavia from ca 554-584 ADE.He appears to have defeated the Dalriada in battle at Argyll,which enabled him to expand the boundaries of his realm.He became a Christian and “may” have granted St Columba ground for a monastry on the island of Iona.Brude might have extended his sphere of influence to Orkney,because the king of Orkney’s family resided in Brude’s court.The scope of Brude’s kingdom can not be determined with any degree of confidence.Ca 650 Ade the Northumbrians from south of the border in England moved northward and forced the Picts to pay tribute,before the Picts defeated them in battle on the 20th of May 685 ADE.Subsequently the Picts occupied Lothian.Ca 711 ADE Northumbrian forces were victorious over the Picts and ca 700ADE the Dalriada finally triumphed over the Picts from Skye and the Western Isles.The Pict king,Nechtan.was forced to negotiate a treaty with the Northumbrians that was unpopular with the Pict nobles.There was considerable discontent in Pictavia from ca 713-729 ADE [ibid].
Nechtan was succeeded by Oengus,who had mixed military fortunes during his reign,that ended ca 761 ADE.However Oengus extended control over a much larger area than any other Pict ruler.Ca 793 ADE the Norse began to raid the coastlines of Scotland.The combined forces of Dalriada and Picts suffered a devastating defeat at the hands of the Norse.,which permanently weaken the Picts.The Pict matriliny,royal heritage tradition began to disintegrate.This tradition had prevented power from been dominated by one kindred,because intermarriage ensured a rotation of authority.After stopping the Norse advance,Alpin of the Dalriada became king of the Picts and was succeeded by his son, Cinead.The latter extinguished the last challenge to his leadership ca 848 ADE and established a hereditary monarchy at Forteviot.He forged a number of astute alliances to secure his postion.Ca858ADE Cinead and the Picts were relegated to history.
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Home Page > Education > International Studies > History of the Celtic Druids
History of the Celtic Druids
Posted: Oct 17, 2008 |Comments: 0
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The Druids were an ancient order of Celtic priests in the societies of Western Europe, Britain and Ireland. The Celtic Druids served their communities by combining the duties of seer, priest, poet, philosopher, historian, scholar, teacher, doctor, astronomer and astrologer. The Celts had developed a highly sophisticated religious system, with three divisions of men who were held in exceptional honor; the lowest division called the <i>Ovates</i>, the second division called the <i>Bards</i> and then the <i>Druids</i>. The ovates were the healers and seers; the bards memorised the songs, poems, and stories of the tribe (historians); while the druids taught moral philosophy and were experts in the workings of natural science.
The Celtic Druids were advisers to the rulers of that time, acted as judges in the event of disputes, supervised executions and even controlled the legal system. They were held in such respect that if they intervened between two armies they could stop the battle. The Druid priests and priestesses acted as mediums through which the spirits could be summoned and heard, with rituals throughout the history of the Celtic Druids being enacted in sacred groves of oak trees and circles of standing stones.
The first surviving and fullest account of the druids and their religion is that given by Julius Caesar in his <i>Commentarii de Bello Gallico, book VI,</i> written in Gaul in 59-51 BC. Overall, not much can be said of the druids with assurance as the sources of information about them is limited. However they continued to feature prominently in later sources of Irish myth and literature. Thus, the history of the Celtic Druids presents many obscurities and our main literary sources date back to the 2nd century BC with <i>Pliny</i> and as mentioned above, the <i>Commentaries</i> of Caeser.
<i>”The principal point of their doctrine”</i>, Caesar wrote, <i>”is that the soul does not die and that after death it passes from one body into another.” </i>
Caesar continued:
<blockquote><i>”With regard to their actual course of studies, the main object of all education is, in their opinion, to imbue their scholars with a firm belief in the indestructability of the human soul, which, according to their belief, merely passes at death from one tenement to another; for by such doctrine alone, they say, which robs death of all its terrors, can the highest form of human courage be developed. Subsidiary to the teachings of this main principle, they hold various lectures and discussions on astronomy, on the extent and geographical distribution of the globe, on the different branches of natural philosophy, and on many problems connected with religion”.-<b>Julius Cesar</b>, ” Commentarii De Bello Gallico”, VI, 13</i></blockquote>
After the first century BC the continental druids disappeared entirely and were referred to only on very rare occasions. However, there is some evidence that the druids of Ireland survived into the mid- to late-seventh century. In the De Mirabilibus Sacrae Scripturae of Augustinus Hibernicus, there is mention of local magi who teach a doctrine of reincarnation in the form of birds.
During the first millennium, Celtic and Druid spirituality was preserved by the Christian clerics who performed the valuable service of recording many of the stories and myths by which the oral teachings of the Druids were conveyed. People who think that Druidry was destroyed with the coming of Christianity fail to understand the resilience of spiritual teachings when they are encoded in myths and stories: and it is thanks to the clerics’ recording of these tales that we can be inspired by them today. St Patrick also recorded all of the old Druid laws in Ireland – providing us with invaluable information on the ethics and social structure of Celtic Druid culture.
<B>DRUID’S CIRCLES</B>
A Druid’s Circle is a popular name for circles of standing stones such as Stonehenge, which is the most famous example. These are also known as the “Temples of the Druids”. Great mounds of earth were also built where the practice of seeking rebirth within the Earth was performed (in which initiates would sit in darkness awaiting the time of their rebirth). The best example of this is found at New Grange in Ireland, where a shaft is oriented to the Winter Solstice sunrise, so that the dawn rays can bathe the initiate in sunlight after his or her vigil through the night.
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The Druid religion was based mainly upon an awareness of natural and supernatural energies. These energies were identified with spirits and the Celtic Druids believed that trees were given these spirits, who dwelt within, and were perceived as attributes of the Supreme Being. Thus, trees were considered living entities, possessed with Infinite Knowledge and Wisdom…symbolically representative of the Cycle of Life, Death and Renewal…
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Oct 17, 2008
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I am actively involved with a site called IrishAstrology.com concerning explanations and descriptions of Celtic Symbols and Celtic Tree Astrology Signs. The site also includes lots of Articles, an Amazon-driven Celtic Store, Free Celtic Screensavers, and free eBooks. My interests/hobbies include Astrology, Music, Reading, Sport, Cycling, Chocolate, My Cat and a love for animals…our equals.
Elegance and history behind Celtic jewelry
Nov 11th
Elegance and history behind Celtic jewelry
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Elegance and history behind Celtic jewelry
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Article Source: http://www.articlesbase.com/ – Elegance and history behind Celtic jewelry
The Celts have a long history full of traditions and rituals. An extension of these traditions that lives today is Celtic jewelry. A mirror image of its rich history and culture, Celtic jewelry make beautiful Celtic jewelry that usually from complex Celtic symbols and designs. Celtic rings, for example, have very complex patterns of knots, spirals, angles and scrolls with each term has the literal meaning. This unique jewelry pieces designed irresistible charm and appeal have on men and women of all cultures, not just the Irish. Celtic jewelry made good, jewelry wholesale authentic make perfect gifts for fans of jewelry.
Many jewelry designs of the ancient Celts lead important. We use the concepts of popular jewelry and meanings behind them.
First, the Celtic spiral. The Celtic spiral represents eternity. Spirals a common Celtic symbol and any type of jewelry can be a spiral have enrolled. Here is the Celtic cross, which came about two centuries before the Christian cross. It is a popular piece of jewelry is believed to increase the knowledge, wisdom and strength.
Another popular design in Celtic jewelry are used Celtic knot. The complexity of these models are both trendy and timeless works of art jewelry. There is no definitive information about the true meaning of the Celtic knot to ward off evil spirits or loop to bring the eternity and connectedness to its wearer. The lack of documentation of these models, only add to the mystery and the general public about these beautiful pieces of jewelry. Claddagh rings are beloved Celtic symbols and their meaning is well documented. jewelry wholesale Claddagh designs consist of a heart (representing love) and a crown (loyalty), both of which are held by two hands (friendship) increased. Certainly, surprisingly, to do the popular participation Claddagh rings and wedding. The symbolism and beauty of these rings have to be in a growth phase of the couple against the purchase of wedding rings in the world. It is also known as a great gift between friends. Often dominate the gift with the slogan Let’s given love and friendship. How can a Claddagh ring is used has a deeper meaning as well. If the ring facing to the right hand with the heart carried out indicating that the holder is loose. If the heart shows assets he or she has already been set. If the ring is worn on the left hand with the heart turned inward shows two loves joined in marriage.
With elegance and history behind the Celtic jewelry is undoubtedly a good reason to search for jewelry and traditional jewelry of choice of their loved ones.
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Celtic Cross History and Origins
Sep 2nd
The Celtic cross is a cross whose four “arms” are intersected by a central, circular ring – a function of both structural form and symbolism. While the roots of the Celtic Cross are likely in Paganism with the ring symbolizing the sun and “renewal,” it has become a potent symbol of Christianity and Irish heritage. The roots of the Celtic Cross can be traced back to Prehistoric Europe where the “sun cross” – a circle with an “x” or cross shape scratched inside began to appear on cave drawings and burial sites. The image persisted through the Bronze and Iron ages evolving into the Celtic Cross. It’s likely that the “cross” symbolized North, South, East and West.
Irish folklore tells the story of how Saint Patrick combined the Christian Cross with the “sun” to emphasize the importance of the cross to the Pagan followers, giving birth to the Celtic Cross. Though there is likely little truth to the tale. Around the 7th Century, Irish monks in the Celtic regions of Ireland and Great Britian began to erect upright or “high” crosses, many incorporating the Celtic Cross’ characteristic ringed structure. Many of these crosses survive today in Cornwall, Wales and on the island of Iona along with many others in Ireland.
Early Celtic Crosses often bore zoomorphic, or animal imagery, carved in the stone due to the influence of the animal style common in the Iron age. Not surprising given that warrior-herdsmen were so dependent on wildlife for food and clothing. This influence died off after the Iron Age as art in Ireland and Britian moved into the “Insular Period.” Artists during the Insular Art period produced many Celtic Crosses throughout Ireland, Wales and Scotland in the Hiberno-Saxon style. The “Insular Art” movement takes its name from the Latin word “Insula” which means “island.” This applied to the Isles of Britian and Ireland, and spoke to the shared nature of the artwork between the two regions that were vastly different than what was being produced throughout the rest of Europe. The Celtic crosses of this time were ornate and often bore spiraling geometric patterns that likely symbolized man’s “twisting” journey through life.
Around the 15th century, interest in the Celtic Cross and its influence as an art form waned. In the mid-19th century, a Celtic Revivial began that resulted in increased display and use of Celtic crosses in Ireland. The Celtic cross became fashionable as a cemetary marker in Victorian Dublin around the 1860s. This revival continued to spread across the whole of Irland and beyond and the symbol began to take on importance as a symbol of Irish heritage in addition to its religious conotation.
Today, the Celtic cross is commonly used as a gravemarker, though this is a departure from both medieval and Celtic revival periods when the symbol was used mainly as a monument and had little association with grave markings. The imagery of the Celtic cross has expanded its influence even in modern times, often spotted in jewelry as an expression of Irish pride and Christianity. The symbol is also seen in everything from T-shirts to tattoos. The Northern Ireland national football team use the Celtic Cross imagery in their logo and branding. The symbol has had some unfortunate attention as well and was recently banned from display in Germany when a prohibited neo-Nazi party co-opted the image as a symbol of their movement.
Famous examples of Celtic Crosses that still stand today can be seen at the Cross of Kells, County Meath, Ireland; Ardboe Auld Cross, Ardboe, County Tyrone, Northern Ireland; the crosses at Monasterboice, County Louth, Ireland; and the Cross of the Scriptures, Clonmacnoise, Ireland.
Rob Mabry is a former Army journalist, screenwriter and technologist. He is owner of Balance Bikes 4 Kids, specializing in bikes and scooters to help your child learn to ride.
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Learn to live in harmony with the Green World Many people today distance themselves from the Earth. They forget they are a part of Nature. Magic of the Celtic Otherworld offers a holistic, magical system that will break down the barriers between you and the natural world. Drawing upon Irish Celtic spiritual tradition, history, and mythology, this book provides wondrous stories, seasonal rituals, and practical exercises that will expand your spiritual potential. This sel…
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The Fascinating History of Celtic Tattoos
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Celtic history goes back thousands and thousands of years. Early Celtic people were well known for their skills in artwork of jewelry, metal, and even weapons. They were warriors as well, regarded as fierce fighters by the Romans. Throughout Ireland, there are many examples and evidence of Celtic artwork and Celtic crosses.
Over the years, modern Celtics evolved and established symbols for themselves along the way. Throughout North America, Celtic people often wear these symbols to let others know that they are a Celtic descent. The symbols and knowledge have been passed down through the years, as there is little no written history. Tattooing however, keeps the Celtic tradition alive with the infamous Celtic cross and other popular Celtic designs.
Most Celtic tattoo designs come from Ireland, where the evidence of Celtic history is very strong indeed. The Trinity College found in Dublin, Ireland, contains many manuscripts that document the Celtic heritage and symbols. The height of Celtic tattooing however, occurred during the era when stone and metal work was really popular.
Celtic knot tattoos are some of the most popular and most common designs, featuring loops with no end that symbolize a never ending cycle of dying and rebirth. There are also Celtic animal tattoo designs as well, which are similar in design to the knot tattoos, although the cords in the design normally terminate in heads, tails, and feet. The pure knot tattoo designs are normally never ending, unless an individual adds an end to symbolize a spiral.
The meaning behind the knots in Celtic tattoos defies any type of literal translation and is found at a much deeper level. The interlacing of the knots expresses the repeated crossing of both physical and spiritual elements. The strands and their never ending path is a popular design for Celtic tattoos, representing life, faith, and love. For many years, Celtics have used these designs for emotional as well as heritage purposes.
Those who are from a Celtic descent, Irish, Scots, or Welsh, normally find a Celtic tattoo to be a great way to express their heritage pride. These tattoos help to reestablish pride, and give tribute to one’s ancestors. The tattoos aren’t easy to do, most taking several hours. Unlike other tattoo designs, Celtic tattoos are among the hardest designs in the world.
If you are from a Celtic descent and have decided to get a Celtic tattoo, the first thing to do is find an artist capable of doing the tattoo. The designs are very difficult and not all tattoo artists can do them. It’s always best to find a tattoo artist who has a background in Celtic designs, as this will ensure the tattoo is done correctly. The artist who does the tattoo needs to have an eye for detail and exact line placement – which is a skill that not all tattoo artists possess.
Al Dawson is a 25 year + collector of Tattoos and runs the company http://www.ultimatetattookits.com.
For the best prices and fast service check out his store now: http://www.ultimatetattookits.com.
The Author grants full reprint rights to this article. You may reprint and electronically distribute this article as long as its contents remain unchanged and the Author’s byline remains in place.
The Celts: A History
Nov 27th
By the third century B.C., at the height of their greatest expansion, the Celts had spread from their Rhineland home as far west as Ireland and east to Turkey’s central plain, as far north as Belgium and south to Cadiz in Spain. They had crossed the Alps and defeated the armies of the Etruscan empire and had occupied Rome and invaded the Greek peninsula. Formidable warriors armed with iron weapons, they would find their way to Egypt and into Queen Cleopatra’s elite bodyguard. Tr…
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The History of Halloween â or â What is Samhain?
Nov 20th
Samhain, pronounced sow-wen, is a Celtic word meaning “summer’s end.” It is also the Irish Gaelic word for the month of November. Samhain is the last of three harvest festivals in the Celtic year, and it is the Celtic New Year. The Celts only recognized two seasons: summer, and winter. So, with the last harvest, the summer ends, and the cold, dark, dangerous days of winter begin. Any food that was not brought in from the fields by the end of the day on October 31, Samhain, was left in the fields and not eaten. It was considered to belong to the fairy folk at that point, and would make anyone sick who tried to eat it.
The food in the storerooms by this time was all the food you were going to get between this first day of winter and the coming spring. It had to last through the cold, dark winter months. Starvation was always a possibility. Livestock was slaughtered at this time, both to preserve meat for the winter months, and to cull the herd. With fewer animals to feed, the ones that were left would have a better chance of survival until spring. This is one reason why death and the dead are associated with this day.
Facing the long, deadly winter, unsure of your food supply, with no central heating, you would have to brave the elements and the dangers of the forest to gather all the wood you would need to keep yourself warm. With the days getting shorter and shorter, you would start wondering if the sun was ever going to come back. The wild animals would get hungrier and more aggressive as the winter got harder for everyone. All made this day, marking the beginning of the winter season, one of fear and danger. But it was also a day of celebration, akin to the American Thanksgiving — thanking the gods for the blessings of a bountiful harvest.
To the Celts, “between” times and places were very important. At these points, the veil between the worlds is at its thinnest, and communication between the fairy realm, the land of the dead, and the human world is much easier. “Between” places include doorways between one room and another, or between inside and outside; or the seashore, marking the meeting of earth and sea. “Between” times include dusk and dawn, marking the transitions from night to day, and day to night; and in more recent centuries, midnight, representing the transition between one calendar day and the next.
The transitions between seasons are even more important “between” times. The transition from winter to summer at Beltaine (May 1), and the transition from summer to winter at Samhain, were the two most important days of the Celtic year; but Samhain was the most important, because it also marked the transition from one year to the next. Ergo, it is at this time that the veil between the worlds is thinnest, and communication between the world of the living and the world of our deceased ancestors, the fairy folk, and other spirits is easiest. This is also a good night for divination for that reason.
At this harvest celebration, when the veil between the world of the living and the dead is at its thinnest, one’s ancestors are therefore honored and venerated. Hospitality was very important to the ancient Celts. They would leave food out on their hearth, or out on their front step, as an offering to the spirits of their ancestors, whom they believed would visit them on this night. Offerings of food or milk were also left out for the fairies, and some Wiccans today invite fairy beings into their homes to share their hospitality with them for the winter. The Celts also extended this hospitality to wandering travelers and beggars, because Celts considered it very bad luck to withhold hospitality from anyone in need.
But the thinness of the veil between the worlds also allowed more dangerous spirits to wander into the human realm, so Samhain was also a time of fear and foreboding. These two ideas influenced our modern custom of “trick or treating” at Halloween (our modern name for Samhain). Today, wandering beggars in the form of children, dress up as horrible spirits that go from door to door begging for food, and threatening pranks if they are not appeased. That is a very recent tradition, however, invented in America.[1]
The carved pumpkins we call jack-o’-lanterns also have their root in ancient hospitality. The Celts did not have pumpkins in the Old World, as we have here in America; pumpkin is a New World fruit. So rather than carving pumpkins, the Celts used turnips and gourds. They hollowed out the inside, and put candles in them to create a lantern. Then they would set a light out each evening to let any wandering strangers know that hospitality was available at that particular home. However, to frighten away the evil spirits that might also be out wandering, these home owners would take the precaution to carve ugly faces into the lanterns, to scare anything nasty away.
Many ancient pagan holidays, including those of the Celts, were adapted by the Christian church in an attempt to convert pagans to Christianity. Many of the traditions of Yule, such as the decorated evergreen tree, became the traditions of Christmas. Many of the traditions of the spring equinox, such as decorating eggs, became customs of Easter. And many practices of Samhain became the traditions of Halloween.[2]
“Hallow” means “sacred.” For example, “hallowed ground” means a place that has been blessed and is appropriate for burial. The suffix “-een” is short for “evening,” the night before a holiday. Halloween, like our New Year’s Eve, is therefore the celebration before the actual holiday, in this case November 1, dubbed “All Saints Day” by the Catholic Church. Halloween is also known as “All Souls Day,” following the tradition that this is a time to celebrate the dead and commemorate them.
There are several misconceptions and outright lies that are spread by religious fundamentalists about Samhain every year, in an attempt to get Halloween banned. The first is that the holiday is of Druidic origin; the Druids were a priestly class of the Celts, but they were a very late manifestation of the Celtic religion. The Celts were practicing their religion for thousands of years before the priestly class of the Druids developed.
Another misconception is that the ancient Romans adopted Samhain and added their traditions to it; however, the traditions of Halloween, as we know them, have come down to us from Ireland. Ireland was never conquered by the Romans. Samhain was also celebrated by the Picts in Scotland, but the Picts were never conquered by the Romans, either. The only territory in the British Isles that the Romans successfully conquered was England.
Another error is that Samhain is pronounced Sam Hane and is the name of a Celtic god of the dead. The Celts had no god of the dead.[3] Samhain is also not pronounced that way, it is pronounced “Sow-ween,” due to the odd way Irish Gaelic ended up being spelled when written in English letters. There is a very minor character in Celtic mythology that has a name with a similar spelling, but he has nothing to do with death or with that particular holiday.
Some people also claim that at this holiday the souls of the dead were supposed to move into the bodies of animals if they had been “sinful,” and that human sacrifice was practiced. The Celts did not believe in sin, nor in reincarnation or the transmigration of souls. The Celts also did not practice human sacrifice, with the exception of the execution of criminals, which we still practice in America today.
Halloween in America is now a completely secular holiday. Though it still maintains some of its harvest festival roots, there is no longer any religious or spiritual significance to the practices of bobbing for apples, trick or treating, and dressing up in costume.
Samhain, however, is still observed by Wiccans and other Pagans for its spiritual significance in the Wheel of the Year, the cycle of holidays that mark transition points in the natural solar cycle.
[1] Because Samhain represented the transition between years, it could not belong to one year or the next. Since time did not technically exist during this period, other societal rules were suspended as well, creating the necessary atmosphere to allow people to vent frustrations, often by playing practical jokes on each other. This may be the precursor to the pranks practiced at Halloween today.
[2] A lot of the associations of Halloween, from black cats to dressing up in costumes, to witches, are more associated with Germanic tradition and Walpurgisnacht, which is associated with May Day, rather than the Celtic tradition or Samhain.
[3] A couple of sources list Gwynn ap Nudd as a British god of the dead, and Arawn as a Welsh god of the dead, but there is no Irish equivalent.
***
For Part II of this article, “A Subtle Samhain Celebration -or-What to Do If You Don’t Live Alone” visit www.careandfeedingofspirits.com. Part II provides instructions for how to take advantage of this season to contact deceased loved ones on the other side of the veil of death, as well as other subtle ways to mark the holiday. But hurry! It will only be available through October 31, 2008. After that it will go back into the vaults.
Have a blessed Samhain, and a happy Halloween!
BB,
Vivienne
Bibliography
Isaac Bonewitz, “The Real Origins of Halloween,” version 4.5, © 1997 and 2002, http://www.neopagan.net/halloween-origins-text.html, downloaded 9/19/03.
“Halloween Errors and Lies, or What Fundamentalist Christians Don’t Want You to Know,” version 4.4, © 1997, 2002; http://www.neopagan.net/halloween-lies.html, 9/19/03.
B.A. Robinson, “the Myth of Samhain, Celtic God of the Dead,” © 1998-2001 by Ontario Consultants on Religious Tolerance, last updated 10/19/01, http://www.religioustolerance.org/hallow_sa.htm, 9/19/03.
W.J. Bethancourt, III, “Halloween: Myths, Monsters and Devils,” © 1994, updated 10/7/01; http://www.illusions.com/halloween/hallows.htm, 9/19/03.
Rowan Moonstone, “the Origins of Halloween.” http://www.geocities.com/athens/forum/5452/hallorig.html, 9/19/03.
Vivienne D’Avalon is the owner of Persephoneâs Haven (www.persephoneshaven.com) and a regular contributor to CroneSeraphim.com. She is an Eclectic gothic Wiccan, a chaos mage, and a kabbalist; and she is the author of “The Patriotâs Spellbook” (available through 11/4/08 with the purchase of “On the Care and Feeding of Spirits”) and “On the Care and Feeding of Spirits” (available for purchase as an ebook at www.careandfeedingofpsirits.com).
Irish Mythology – a History of the Tain Bo Cuailnge
Nov 6th
Tain Bo Cuailnge meaning the Cattle Raid of Cooley is a legendary epic from early Irish literature. The Táin Bó Cuailnge represents the oldest vernacular tale of Western Europe, predating both Beowulf and Homer’s Odyssey. It describes the invasion of Ulster by the armies of Queen Medb of Connaught and her husband Ailill intending to steal the Brown Bull of Cuailnge. They are faced only by the boy warrior Cuchulainn, the rest of the men of Ulster being incapacitated by an ancient curse placed by the ancient Celtic goddess of war, Macha. Cuchulainn is young enough to be free of the curse, he manages to hold off the invading armies until the Ulstermen are free of the curse. Aided only by his charioteer Laeg he wages a guerrilla campaign against the invading hordes. However Medb succeeds in capturing the bull but Cuchulainn prevents her from returning to Connaught by invoking the right of single combat at fords. For months Cuchulainn challenges and defeats warrior after warrior. The greatest of these fights is against his foster brother and best friend Ferdiad, a fierce contest rages for three days, Cuchulainn eventually killing his opponent with the mighty spear called the Gae Bulg. Eventually the Ulstermen are freed from their curse and one by one they appear on the battlefield and the final conflict occurs in which Medb’s armies are routed, however she manages in hauling the Brown Bull of Cuailnge back to Conaught where he fights her white bull, Finnbheannach. The Brown Bull kills him but is mortally wounded, it wanders around Ireland creating place names before returning home to die of exhaustion.
The world portrayed in the Tain is an essentially pre-Christian heroic age. War is conducted between warriors armed with swords and spears and mounted in chariots with drivers. Interestingly, it is also a world in which a queen may possess wealth independently of her husband and, indeed, compete with him and raise an army. The Tain Bo Cuailnge has survived in two main recensions, the first is contained in the Lebor na hUidre, an eleventh century text compiled in Clonmacnoise and in the fourteenth century Yellow Book of Lecan. A complete text can be compiled by combining these two sources. The second recension can be found in the twelfth century Book of Leinster.
Russell Shortt is a travel consultant with Exploring Ireland, the leading specialists in customised, private escorted tours, escorted coach tours and independent self drive tours of Ireland. Article source: http://www.exploringireland.net
Russell Shortt is a travel consultant with Exploring Ireland, the leading specialists in customised, private escorted tours, escorted coach tours and independent self drive tours of Ireland. Article source: http://www.exploringireland.net
The Haunted History of Halloween
Nov 6th
Hosted by harry smith this is an enchanting look at the 3000 year history of one of our most popular holidays. Studio: A&e Home Video Release Date: 04/26/2005


